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Grateful Dead Live at Nassau Veterans Memorial Coliseum on 1973-09-07

Set 1

The Promised Land
Mexicali Blues
They Love Each Other
Jack Straw
Row Jimmy
Looks Like Rain
El Paso
Bird Song
Playing In The Band

Set 2

Here Comes Sunshine
Me And My Uncle
Let It Grow ->
Stella Blue
Truckin' ->
Drums ->
The Other One Jam ->
Eyes Of The World ->
Sugar Magnolia

Around And Around

Collection GratefulDead
Band/Artist Grateful Dead
Venue Nassau Veterans Memorial Coliseum
Location Uniondale, NY

Source Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD,
Lineage 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?)
Transferred by Goodbear


Encoded to SHN by: Teddy "Good Bear" & posted the 1st time to "alt.binaries.gdead.highspeed" on 4/4/00.


Reviewer: quinn_76! - - July 1, 2014
Subject: The Wolf makes his first attack.

On this night, the boys didn't hit their stride until the first set closer. Indeed, this Playin' seems to be the best kept secret of this show. While not the best of year, this version seemingly deserves more acknowledgement and praise. The second set--as usual--offers up more ear candy for the takin'. The HCS is marvelous, with Jerry cascading jazzy licks from his "wolf" (the grand debut, btw) for the Nassau crowd to digest. Later comes the Truckin'->Drums->Other One Jam->Eyes segue that caps off this evening in fine fashion. Jerry seems to be playing with extra octane for this Eyes, making it the touchstone piece of the evening, with the 7/8 signature outro jam ("the coda") being particularly well executed. Around the 17:04 mark Jerry hits a note, and really milks it for what its worth, sustaining it in a way for which I’ve never heard him offer before or since. Indeed, this version of Eyes belongs in the top five for the year, imho. As a whole, this show is arguably trumped by the next night, but the aforementioned highlights are worth adding to one's 1973 collection.
Reviewer: chris phillips - - November 7, 2013
Subject: of interest
You should really refrain from reviewing unless you are pleased, because you might be overlooking some positive aspect that is worth noting otherwise it's a drag.
There is lame and there is killer, but there is plenty of in between.
Anything before '74 will probably have something redeeming within it. 12/9/71 has the best Black Peter, but there is hardly another killer version in the other three hours, for instance. Even greater shows have a few or plenty of average versions on the flip side.

Playing and Jack Straw are excellent. The first Let It Grow should surely interest.

September offers much less (9/21 and this first set notwithstanding) than other months in 1973 by and large...
Try 10/21 Let It Grow and 10/29 Eyes. Those are the best versions to me. Stella and Half Step from 3/28 are sweet! Row Jimmy from 3/31 rules. HCS from 11/30 and 6/10 rounds out my Wake picks.
Reviewer: njpg - - July 8, 2013
Subject: -
The first set is well-played, but hardly standout. The second is not as good, with a new & sloppy Let It Grow and fairly standard renditions of everything else. Great recording.
Reviewer: rrschwz28 - - December 28, 2012
Subject: not so good bear
What is the purpose of segregating 39 seconds of drums and creating track #20? For that matter, what is the purpose of track #19?

I realize I'm revealing myself to be a grumpy old man (I was at this show), but 40 years ago, the only editing we would do to a show was to (sometimes) remove the 'dead air' between songs if it ran to more than a minute or two and we needed the room on the tape. The object was to get 45 minutes, (if it was a cassette) of UNINTERRUPTED music.
Reviewer: deadmax - - July 30, 2011
Subject: 7th vs. the 8th
IMO the 7th is a tighter and more coherent show. This show flows and dances seamlessly with the highlight being the entire 2nd set. The 8th is high-energy but they lose it during Big River. It is a disjointed show but some parts are very well played. The WRS>LIG is played as though they've been playing it for a long time. Eyes is confused but ends up being very, very cool.

I think Bobby is messed up and tends to ruin a lot of the songs. He completely messes up Truckin at the crucial point, so the band lets him redeem himself and he messes it up again. This show could easily be skipped except for the WRS>LIG.
Reviewer: clementinescaboose - - September 13, 2010
Subject: next night better
great jamming in Bird Song and especially Eyes, but the show is kinda messy; miscues and missed notes are pretty easy to pick out. imho the 8th is more well played and a very entertaining show.
Reviewer: SaintStephen420 - - September 16, 2009
Subject: excellent
tight show
Reviewer: Reason_Tatters - - September 7, 2009
Subject: The GRATEUFL DEAD "Live On Stage" at the Veterans Memorial Coliseum, Uniondale, New York, UNITED STATES OF AMERICA


Here's one way to stream/download this show:

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For easy streaming or downloading you should use RealPlayer.

Using RealPlayer to view this webpage, click the VBR M3U link to open the songs in the Playlist.

If your Playlist is not open, open it by clicking the Playlist icon at the lower right hand corner of RealPlayer.

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When the red line reaches the other end click the stop button to download the song. Your song is in the RealPlayer Downloads folder.

Repeat these steps for each song.

thanks oh_um_uh_ah
Reviewer: oh_uh_um_ah - - February 24, 2009
Subject: The GRATEFUL DEAD "Live On Stage" September 7, 1973 at the Nassau Veterans Memorial Coliseum, Uniondale, New York, U.S.A.
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The soundman dials in the sound/mix during the first what else is new?

5 stars for the mix
5 stars for the recording
5 stars for the performance
5 stars for the Teddy Good Bear transfer

I highly recommend adding this show to your 1973 GRATEFUL DEAD collection.

In the pocket, focused, relaxed, deliberate, exciting and smooth are just some of the ways I'd describe this show.

The GRATEFUL DEAD always put on a good show for the New York crowds, and we still love them for it.

If you are using Windows XP you should be viewing this page with RealPlayer. The IA Recommends RealPlayer for Streaming and Downloading. It's simple, easy and intuitive.

Get it while you can, get it while it's free, get it now or you will be sorry.

Eat, Drink, Be Merry, and Listen to the GRATEFUL DEAD.

Thanks for the LOVE from 1973; my senior year in HS, it's just like I remembered it.

PS: be sure to remember to click the DeadLists Project link to download the poster and ticket for this show...
Reviewer: bigAl - - February 22, 2009
Subject: Sweet
oh yeah
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on 5/15/2008
Grateful Dead
by Grateful Dead
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
Grateful Dead
by Grateful Dead
Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
Grateful Dead
by Grateful Dead
Source: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard.
Grateful Dead
by Grateful Dead
Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
Grateful Dead
by Grateful Dead
Source: AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor.
Grateful Dead
by Grateful Dead
Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M
Grateful Dead
by Grateful Dead
Source: lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Grateful Dead
by Grateful Dead
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
Grateful Dead
by Grateful Dead
( 1 reviews )
Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo